Maxim Ksuta

Essay by Alain Badiou: “Form, Event, Truth”

This photograph does not ask us what we see but rather how seeing itself is structured. Here, at the center of an open landscape, stands an empty frame—devoid of its own content, yet transformed into a site for truth. It is not merely a frame but an event, one that organizes space and compels us to question its naturalness.

In the tradition of Platonic philosophy, truth is never given to us directly—it requires construction, mediation. This frame is a structure that marks an absence, yet through this very absence, it reveals the process of distinction itself: what is inside, and what is outside? Does the field within the frame differ from what surrounds it? No, and yet we begin to see it differently.

This is how an event is born—a sudden rupture in the order of the visible. We find ourselves in a situation where the artificial creates the conditions for a new perception of the real. The field, which has always been a field, is now transformed into a sign. The boundary between landscape and its representation becomes unstable, and we find ourselves inside this duality, unable to determine where exactly the line between art and the world is drawn.

What matters here is not only what is depicted but also the very act of framing. This is not a gesture of authority, not an ordering of chaos, but rather a challenge—an invitation for the viewer to recognize that all vision is a choice, that truth is never given to us directly but always emerges through rupture, through an event that reorganizes our structures of perception.

In this sense, photography does not merely document reality; it plays with it, revealing what would otherwise remain unnoticed in everyday life. It becomes an act of thought and, therefore, a space for truth.

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