Ragas Of Morning & Night

by maxksuta

About the Artist: Pandit Pran Nath

Pandit Pran Nath was one of the last great masters of the Kirana gharana, a North Indian vocal tradition rooted in deep spirituality and microtonal precision.
Born in 1918 in India, he was a disciple of the legendary Abdul Wahid Khan.
In the 1970s, he became a guru and spiritual teacher to Western minimalist composers such as La Monte Young, Terry Riley, and Marian Zazeela.
His music is not a performance in the Western sense — it is sādhanā, a spiritual practice of sound as a path to transcendence.

🎶 About the Album: Ragas of Morning and Night

(Released in 1986 on Gramavision Records)

This album features two traditional ragas, ancient Indian musical forms designed to evoke specific moods and states of consciousness, each associated with a particular time of day.

1. Raga Todi (Morning Raga)

  • Performed at sunrise.
  • Mood: introspective, delicate, meditative.
  • It reflects the awakening of nature, the unfolding of light.
  • The vocal line slowly develops over a drone, dwelling in microtones — it feels as if each note trembles gently like a petal in the mist.

2. Raga Darbari (Night Raga)

  • Meant to be performed at night.
  • Mood: deep, mysterious, hypnotic.
  • Darbari is one of the most majestic and emotionally intense ragas in Indian music.
  • Pran Nath’s voice resonates like a mantra — not with words, but with pure emotional truth through sound.

🔊 The Sound

  • No melodic instruments are used, only tanpura (drone) and tabla (rhythm).
  • The development is very slow and contemplative, nearly a form of sonic meditation.
  • There’s no linear melody — instead, it explores the depth of a single tone, a single vibration.

🌀 Influence on Western Music

This album — and Pandit Pran Nath himself — had a profound impact on American minimalist music.
Artists like La Monte Young, Terry Riley, Jon Hassell, and even Brian Eno either studied with him or drew inspiration from his approach to extended duration and microtonality.
These ragas are more than music — they’re a transmission of inner states and meditative stillness through the human voice.