Maxim Ksuta

Oil on canvas, 70 x 90 cm, summa 140 x x180 cm

Wave in Black

Before us lies a work that appears at once monochrome and infinitely multicolored. Black paint — gas soot — has been laid flat on the canvas, without the slightest hint of relief. And yet, it is precisely within this flatness that optical depth emerges: lines and gestures of the brush, layered upon one another, form a fabric where light plays as if on water or silk.

The scale of the piece — 140 × 180 cm — makes it almost a wall, a membrane through which the viewer encounters the phenomenon of light itself. As the angle of vision shifts, the surface comes alive: the threads reflect light differently, transforming black into a space of continuous oscillations.

This is painting without color in the usual sense, yet full of a whole spectrum of states. There is no subject, no image to “hold on to”; instead, the viewer is confronted with the pure energy of perception. The work breathes like a wave — at times contracting into darkness, at times opening into a brilliance reminiscent of metal, glass, or the shimmer of a nocturnal sea.

This black optics is both an experiment and a meditation. It takes painting beyond the conventional role of carrying color and form, turning it into a field where vision travels, splits, lingers — and it is precisely this tension between the stillness of the surface and its shifting radiance that generates the true experience.

Ultimately, the work feels like a meditation on the nature of light and darkness: how black becomes luminous if one looks long enough; how simplicity proves more complex than illusion; how a surface devoid of depth suddenly reveals an abyss.