Maxim Ksuta

russian artist, contemporary art, sculpture, installation, photography

Tag: Maxim Ksuta

“With the world on a string”

The project is about communication and relationships.
“With the world on a string”
Dear friends, I ask you to send me the segment of the thread of any length and color.
Thank you.
Location – in a personal message.

“Intertext”. Group exhibition

The group project “Intertext” explores the question of text and image interpenetration.

The exhibition brings together both Moscow conceptualists (Dmitriy Prigov, Yuri Albert, Andrey Filippov) and contemporary european and russian artists working within the raised problematics.

Some artists, such as Leonid Tishkov, Nikita Alexeev, Victor Umnov, and Babi Badalov, can be equally considered writers, since their visual images complement their textual creatures.

Contemporary text in the form of digital or figure poetry is often created using computer technologies. Generating an image by various digital codes, the media poets and video artists Natalia Fedorova, Anna Tolkacheva, and Charles Sandison partially delegate their role to the machine.

A part of the exhibition, presented by works of Tania Mouraud, Victor Panov, Maxim Ksuta, EvgeniyDobrovinskiy and Ilya Grishaev, is dedicated to the symbolic image as a graphic element, automatic writing and calligraphic practice. Not only the signs, but also the gaps between them, the intentional concealment or understatement become a means of artistic expression.

Such artists as Semen Motolyanets, Georgyi Ostretsov, and Valery Chtak use texts as slogans, tags or symbols associated with popular culture, politics and social intercourse. The text slogans mark the very nature of social communication, based on the same sign system.

Each text, featured at the exhibition, is not a separate statement, but only a fragment of the universe verbal-textual structure. The texts, presented by the artists in various forms, don’t always require reading; very often they just serve a reminder or a link to the other texts outside the exhibition space. The exposition does not imply an immediate and consistent reading; it rather serves a starting point for numerous narrations. Intertextuality becomes not just a research vector, but the practice itself.

Participants: Nikita Alexeev, Uriy Albert, Nadezhda Anfalova, Babi Badalov, Evgeniy Dobrovinskiy, Ilyia Grishaev, Ludmila Konsatntinova,  Olya Kroytor, Maxim Ksuta, Georgiy Litichevsky, Semen Motolianets, Denis Patrakeev, Sergei Pakhomov, Dmitriy Prigov,  Tania Mouraud, Georgyi Ostretsov, Charles Sandison, Marina Smorodinova, Leonid Tishkov, Anna Tolkacheva, Andrey Filippov, Alexandr Tsikarishvili, Victor Umnov, Natalia Fedorova, Dmitriy Shagin, Kristina Yatkovskaya.

Curator of the exhibition — Elizaveta Shagina.

News

2015 — The exhibition “Russian Chrestomathy”

NCCA, Nizhny Novgorod, Arsenal. Curator: Vera Pogodina

2015 — The exhibition “Sound Moebius Strip” exhibition (Belyaevo Gallery)

Five hours of travel in the constellation Ursa Major

Five hours of travel in the constellation Ursa Major

“Five hours of travel in the constellation Ursa Major”

445х215 см

embrace the boundless

embrace the boundlessembrace the boundless

Impossible picture of the night sky
160х160 см

“The new nothing”

"The new nothing"

Sufi whirling

DSCF0048-www

Sufi whirling series 2014

120×80 cm, oil on canvas

Sufi whirling (or Sufi spinning) is a form of Sama or physically active meditation which originated among Sufis, and which is still practiced by the Sufi Dervishes of the Mevlevi order. It is a customary dance performed within the Sema, or worship ceremony, through which dervishes (also called semazens) aim to reach the source of all perfection, or kemal. This is sought through abandoning one’s nafs, egos or personal desires, by listening to the music, focusing on God, and spinning one’s body in repetitive circles, which has been seen as a symbolic imitation of planets in the Solar System orbiting the sun.[1] As explained by Sufis:[2]

… … … …

New series – “Polaroid Dreams”

Polaroid-II

China ink on Polaroid 2014

 

Polaroid-I

China ink on Polaroid 2014

 

China ink on Polaroid 2014

 

Polaroid-IV

China ink on Polaroid 2014

“IMPERFETTO” Spazio Carbonesi, Bologna, ltaly, 2010 in TASCHEN

TEMPORARY ARCHITECTURE NOW

page 154

www.spaziocarbonesi.it/aboutus/img_pressroom/Temporary-imperfetto.pdf

Adam Eve (“Out of Eden”, Triumph gallery, Moscow, Russia 2006-2007)

IMG_9012 IMG_9015

«Eve» – 25 trancperent acrylic glass layers. Oil solvent print

Adam Eve (“Out of Eden”, Triumph gallery, Moscow, Russia 2006-2007)